One of the more complicated subjects in the wireless music equipment realm, which frequency band for your wireless guitar or microphone system is the best choice?
In short, 2.4GHz Digital Wireless is the all-around best frequency band choice for your wireless instrument or microphone system. 2.4GHz is globally available, globally unlicensed, and has more chance of a sustainable future. The majority of the other frequency bands are either unavailable outside of the US or Canada, need a costly/inconvenient license to operate in some countries or have an uncertain future with the FCC banning the frequency. While many fear that the 2.4GHz is overly congested making it more susceptible to interference, the majority of the mid to high-grade wireless Mic Or Instrument Systems have frequency agility features that eradicate interference. Aside from the less sustainable future and costly license, 470 to 548Mhz bands has been known as the industry standard for years.
For those who want to skip to the chase and find a wireless system in the 2.4GHz frequency band that uses interference agility features for no dropouts, view the articles below.
Our Top Pick Wireless Instrument System In 2.4GHz: Guitar, Bass, Banjo, Acoustic, Any stringed instruments
Top 3 Wireless Microphone Systems In 2.4GHz Head To Head: This article takes the 3 most reliable wireless microphone systems in 2.4GHz and compares each one.
Top 2 Brass Or Woodwind Wireless Systems In 2.4GHz: Saxophone, Trumpet, Clarinet, Trombone, wind instruments, etc.
Best Wireless Headset Microphone System in 2.4GHz: Singers or speakers who need a high-quality headworn microphone in 2.4GHz.
Frequency Bands: What Are They?
The entire frequency range, or radio spectrum, operates between 3 kHz to 300 GHz. Frequency bands are an interval in the frequency domain, having a fixed boundary between a lower frequency and an upper frequency. For example, the wireless guitar system Shure BLX14 -H10 operates in the frequency band between 542-572 MHz. The 542 MHz is the lower frequency when the 572 MHz is the higher frequency, everything between the fixed boundary is the frequency band that the Shure BLX14 -H10 operates in.
Radio waves at different frequencies are flying all around us at all times. Everything from T.V., internet, walkies talkies, Wifi, GPS, radio, etc. all operate at a different frequency.
The primary frequency bands used for wireless guitar/mic systems are VHF (30 Hertz to 300 GHz), UHF (470-608 MHZ), 900MHz (902 to 928 MHz), and 2.4 GHz. Many people get analog or digital wireless systems mixed up with the frequency band. This is because most analog systems operate in UHF and most digital operate in 2.4GHz, yet, they have nothing to do with each other. Coincidentally, every single wireless mic/instrument system operating in 2.4GHz is digital. Digital transmission compared to analog is the better option anyway, thus giving our answer for best frequency band for wireless systems at 2.4GHz digital.
Which Frequency Band Has The Least Interference?
The already crowded Radio Spectrum (30 Hertz to 300 GHz) is basically at a frequency shoot out free for all. Your wireless mic/instrument systems transmitter must compete it’s way to the receiver located in the general vicinity of the stage. Considering they are all roughly equally crowded (depending on the area), no frequency band is better or worse than the others in terms of signal strength or less interference.
The good news, most mid to high-grade wireless systems use frequency flexibility, agility, or other features to dodge signal interference. These features decrease the chance of cutouts or dropouts. If your interested in a very reliable digital 2.4GHz wireless instrument system that has never cut out on me once, see Our Top Pick Wireless Guitar System For 2019
VHF: (174 to 216 MHz)
VHF (Very High Frequency) systems are few and far between. Considering the slower MHz, VHF wavelengths are more extended than UHF forcing them to travel a longer distance. This, in turn, causes a higher chance of frequency interference. These receivers have much larger antennas than UHF receivers making them more susceptible to damage. To be blunt, VHF wireless mic or instrument systems are typically not the first choice for serious musicians.
One of the reasons wireless systems got such a bad reputation in the past is due to VHF systems. I’m not trying to attack VHF like there’s no tomorrow. However, our goal here is to make sure you gain true wireless freedom, not wireless freedom that cuts out and embarrasses you on stage. We do not recommend VHF wireless systems. Contrary to that belief, there are a few high-quality wireless systems that do operate in VHF listed below.
Here’s A List Of High-Quality VHF Wireless Microphone Systems
Shure QLXD24/B87A: | Digital | 174-216 MHz |
Shure QLXD24/SM58: | Digital | 174-216 MHz |
Shure QLXD24/B58: | Digital | 174-216 MHz |
UHF in the 470-608 MHZ (Most Analog Wireless)
UHF (Ultra High Frequency) wireless microphone and instrument systems are of much higher quality than VHF. These systems have a much bigger range of frequencies. Although UHF systems still operate in the T.V. and radio frequency band like VHF, the higher range of frequency by UHF gives more options to bypass signal interference. In other words, UHF wireless systems have a less chance of your mic or instrument cutting out or getting unwanted noise.
The vast majority of wireless instrument/mic systems that operate in the UHF range are analog with a much smaller percentage being digital. Musicians or speakers that need multiple channels operating simultaneously have the best chances with an analog UHF based system.
It may be true that UHF analog wireless systems are of much higher quality than VHF systems, but there are many downsides. Not only do certain countries require you to have a license to operate an analog wireless system, but both UHF and VHF have an uncertain future with the FCC ridding certain frequencies.
When a frequency band gets banned, you the musicians/speaker have roughly 3 years to get a new wireless system. This, in turn, causes the remaining frequency bands to become even more congested, and with more congestion comes more interference.
We created 4 lists for UHF wireless systems that operate in the UHF range with their specific frequency band.
- Analog microphone system
- Analog instrument system
- Digital microphone system
- Digital instrument system
Here’s a List Of Every Analog Wireless Microphone Systems (With Frequency Bands)
Sennheiser EW 100 G4-835-S (A1 Band) | Analog | 470-516MHz |
Sennheiser EW 100 G4-935-S (A1 Band) | Analog | 470-516MHz |
Sennheiser EW 100 G4-845-S (A1 Band) | Analog | 470-516MHz |
Sennheiser EW 100 G4-865-S (A1 Band) | Analog | 470-516MHz |
Sennheiser EW 100 G4-945-S (A1 Band) | Analog | 470-516MHz |
Sennheiser EW 135P G4 Portable (A1 Band) | Analog | 470-516MHz |
Sennheiser EW 100 G4-835-S (A Band) | Analog | 516-558MHz |
Sennheiser EW 100 G4-845-S (A Band) | Analog | 516-558MHz |
Sennheiser EW 100 G4-935-S (A Band) | Analog | 516-558MHz |
Sennheiser EW 100 G4-945-S (A Band) | Analog | 516-558MHz |
Sennheiser EW 100 G4-865-S (A Band) | Analog | 516-558MHz |
Sennheiser EW 135P G4 Portable (A Band) | Analog | 516-558MHz |
Sennheiser XSW 1-825 Dual Wireless (A Range) | Analog | 548-572MHz |
Sennheiser XSW 1-825 (A Range) | Analog | 548-572MHz |
Sennheiser XSW 1-835 (A Range) | Analog | 548-572MHz |
Sennheiser XSW 1-835 Dual Wireless (A Range) | Analog | 548-572MHz |
Sennheiser XSW 2-835 (A Range) | Analog | 548-572MHz |
Sennheiser XSW 2-865 (A Range) | Analog | 548-572MHz |
Sennheiser EW 100 G4-835-S (G Band) | Analog | 566-608MHz |
Sennheiser EW 100 G4-945-S (G Band) | Analog | 566-608MHz |
Sennheiser EW 100 G4-845-S (G Band) | Analog | 566-608MHz |
Sennheiser EW 100 G4-865-S (G Band) | Analog | 566-608MHz |
Sennheiser EW 100 G4-935-S (G Band) | Analog | 566-608MHz |
Sennheiser EW 135P G4 Portable (G Band) | Analog | 566-608MHz |
Sennheiser EW 500 G4-935 (AW+ Band) | Analog | 470-558MHz |
Sennheiser EW 500-945 G4 (AW+ Band) | Analog | 470-558MHz |
Sennheiser EW 500-965 G4 (AW+ Band) | Analog | 470-558MHz |
Sennheiser EW 300 G4-865-S (AW+ Band) | Analog | 470-558MHz |
Sennheiser EW 300 G4-865-S (GW1 Band) | Analog | 558-608MHz |
Sennheiser EW 500-945 G4 (GW1 Band) | Analog | 558-608MHz |
Sennheiser EW 500-965 G4 (GW1 Band) | Analog | 558-608MHz |
Sennheiser EW 500-935 G4 (GW1 Band) | Analog | 558-608MHz |
Shure BLX288/PG58 Dual (H10 Band) | Analog | 542-572 MHz |
Shure BLX24/PG58 (H10 Band) | Analog | 542-572 MHz |
Shure BLX24R/SM58 (H10 Band) | Analog | 542-572 MHz |
Shure SLX24/SM58 (H19 Band) | Analog | 542-572 MHz |
Shure BLX24R/B58 (H10 Band) | Analog | 542-572 MHz |
Shure SLX24/BETA58 (H19 Band) | Analog | 542-572 MHz |
Shure SLX24/SM86 (H19 Band) | Analog | 542-572 MHz |
Shure SLX24/BETA87A (H19 Band) | Analog | 542-572 MHz |
Shure SLX24/BETA87C (H19 Band) | Analog | 542-572 MHz |
Shure BLX288/PG58 Dual – (H9 Band) | Analog | 512-542 MHz |
Shure BLX24R/SM58 (H9 Band) | Analog | 512-542 MHz |
Shure BLX24/PG58 (H9 Band) | Analog | 512-542 MHz |
Shure BLX24/B58 (H9 Band) | Analog | 512-542 MHz |
Shure BLX24R/B58 (H9 Band) | Analog | 512-542 MHz |
Shure ULXS24/58 (G3 Band) | Analog | 470-505 MHz |
Shure ULXS24/BETA58 (G3 Band) | Analog | 470-505 MHz |
Shure SLX24/SM58 (H5 Band) | Analog | 518-542 MHz |
Shure SLX124/85/SM58 Combo (H5 Band) | Analog | 518-542 MHz |
Shure ULXS124/85 Combo Wireless (G3 Band) | Analog | 407-505MHz |
Shure SLX124/85/SM58 Combo Wireless (G5 Band) | Analog | 494-518 MHz |
Shure ULXS124/85 Combo Wireless (J1 Band) | Analog | 554-590 MHz |
Shure SLX24/SM58 (J3 Band) | Analog | 572-596 MHz |
Shure BLX24R/SM58 (J10 Band) | Analog | 584-608 MHz |
Audio-Technica ATW-2120b (I Band) | Analog | 487.125-506.500 MHz |
Audio-Technica ATW-3212/C510 (DE2 Band) | Analog | 470-530 MHz |
Audio-Technica ATW-3212/C510 (EE1 Band) | Analog | 530-590MHz |
Audio-Technica ATW-3212/C710 (DE2 Band) | Analog | 470-530 MHz |
AKG WMS470 Vocal Set D5 (Band 7) | Analog | (500-530MHz |
AKG WMS420 Vocal Set (Band A) | Analog | 530.025-559MHz |
Audix AP42 OM2 Dual Wireless (A Band) | Analog | 522-554 MHz |
Audix AP41 OM5 (A Band) | Analog | 522-554MHz |

Analog Wireless Instrument System
Here’s A List Of Every Analog Wireless Guitar/instrument System (With Frequency Bands)
Sennheiser EW 172 G4 – A Band: | Analog | 516-558 MHz (A band) |
Sennheiser EW 100 G4-Ci1: | Analog | 470-516 MHz (A1 band) |
Shure BLX14 – H10 Band: | Analog | 542-572 MHz |
Shure BLX14 – H9 Band: | Analog | 512-542 MHz |
Shure BLX14R – H8: | Analog | 518-542 MHz |
Shure BLX14R – J10: | Analog | 584-608 MHz |
Sennheiser EW 500 G4: | Analog | 470-558 MHz |
Sennheiser EW 172 – G Band: | Analog | 566-608 MHz |
Shure ULXS14 – G3 Band: | Analog | 470-505 MHz |
Samson AirLine 88 – D Band: | Analog | 542-566 MHz |
Shure SLX14 -G5 Band: | Analog | 494-518 MHz |
Shure SLX14 – H19: | Analog | 542-572 MHz |
Shure SLX14 – H5: | Analog | 518-542 MHz |
Shure SLX14 – J3: | Analog | 572-596 MHz |
Sennheiser XSW 2 – A Range: | Analog | 548-572 MHz |
Sennheiser XSW 1 – A Range: | Analog | 548-572 MHz |
Samson AirLine 88 – K Band: | Analog | 470-494 MHz |
Sennheiser XSW 1-908 – A Range: | Analog | 548-572 MHz |
AKG WMS420 Instrumental Set – Band A: | Analog | 530-559 MHz |
Samson Concert 88 – D Band: | Analog | 542-565 MHz |
Samson Concert 99 – D Band: | Analog | 542-566 MHz |
Samson Concert 99 – K Band: | Analog | 470-494 MHz |
Here’s a List Of Every UHF Digital Wireless Microphone Systems (With Frequency Bands)
Shure QLXD124/85 Combo: | Digital | 572-608 MHz, 614-616 MHz |
Shure QLXD24/B58: | Digital | 572-608 MHz, 614-616 MHz |
Shure QLXD24/B87A: | Digital | 572-608 MHz, 614-616 MHz |
Shure QLXD24/SM58: | Digital | 572-608 MHz, 614-616 MHz |
Shure QLXD24/B87A: | Digital | 174-216 MHz |
Shure QLXD24/SM58: | Digital | 174-216 MHz |
Shure QLXD24/B58: | Digital | 174-216 MHz |
Shure QLXD24/B87A: | Digital | 470-534 MHz |
Shure QLXD24/SM58: | Digital | 470-534 MHz |
Shure QLXD24/B58: | Digital | 470-534 MHz |
Shure QLXD24/SM58 – H50 Band: | Digital | 534-597 MHz |
Shure QLXD24/B58 – H50 Band: | Digital | 534-597 MHz |
Sennheiser ew 500 G4-KK205: | Digital | 470 MHz-558 MHz |
Sennheiser ew 500 G4-KK205 – GW1 Band: | Digital | 556 MHz-608 MHz |
Audio-Technica ATW-3212/C710: | Digital | 530-590 MHz |
Audix AP41 OM2 – B Band: | Digital | 554-586 MHz |
Audix AP41 OM2 – A Band: | Digital | 522-554 MHz |
Here’s A List Of Every UHF Digital Wireless Guitar/instrument System (With Frequency Bands)
Shure QLXD14 – G50 Band: | Digital | 470-534 MHz |
Shure QLXD14 – H50 Band: | Digital | 534-597 MHz |

900 MHz
900 MHz wireless systems do not fall in the same frequency range as most television and radio but do fall in the same band as amateur radio. This unique frequency band can either be used as a digital or analog wireless system, yet again, the only systems operating in this range are digital.
Unfortunately, wireless guitar and mic systems in the 900 MHz band are only able to be used in the U.S. and Canada. As a matter of fact, the guitar player in one of my bands uses the Shure PGXD 14 that operates in the 900 MHz band. The system has worked flawlessly without any cutouts as we toured through the U.S. and Canada, but once we reach out to other countries, he may need to turn his head to 2.4 GHz which is globally available and unlicensed.
List of Wireless Instrument Systems Operating In The 900MHz Band
Shure PGXD14: | Digital | 900 MHz |
Shure PGXD14/B98H: | Digital | 902-928 MHz |
2.4 GHz
Wireless instrument/mic systems that operate in the 2.4GHz frequency band are typically always digital. Like mentioned above, 2.4GHz is globally available, unlicensed, and has more of a sustainable future. Although many claims this frequency band has less chance of signal interference, many techs in this field claim, “it depends on the environment.” The perfect combination of a wireless mic/instrument system is a 2.4GHz digital wireless with built-in frequency agility/flexibility features to minimize cutouts.
Some of the things that operate in 2.4Ghz are Bluetooth, WiFi, 2.4GHz cell phones, microwaves, and car alarms. Some of the lower quality (cheaper) wireless mic/instrument systems that do not have high-quality inference dodging features will have a lot of trouble in places with WiFi or internet. Because most sites you perform at will have WiFi, internet, or many people with 2.4 GHz cell phones, we highly recommend purchasing a system with these signal dodging features.
For those interested, here’s an article that consists of 5 digital and 1 analog wireless guitar systems to choose from that are very reliable with interference dodging features. Top 6 Wireless Guitar Systems For Pros.
A List Of Every Single Digital Wireless Guitar/Instrument System
Line 6 Relay G10S: | Digital | 2.4 GHz |
NUX B-2: | Digital | 2.4 GHz |
Joyo JW-01: | Digital | 2.4 GHz |
Xvive Audio U2: | Digital | 2.4 GHz |
Line 6 Relay G10: | Digital | 2.4 GHz |
Shure GLXD16: | Digital | 2.4 GHz |
Boss WL-20L: | Digital | 2.4 GHz |
Boss WL-50: | Digital | 2.4 GHz |
Line 6 Relay G30: | Digital | 2.4 GHz |
Line 6 Relay G50: | Digital | 2.4 GHz |
Line 6 Relay G55: | Digital | 2.4 GHz |
Line 6 Relay G70: | Digital | 2.4 GHz |
Line 6 Relay G90: | Digital | 2.4 GHz |
Shure GLXD14: | Digital | 2.4 GHz |
Shure GLXD14R: | Digital | 2.4 GHz |
Audio-Technica ATW-1311 Dual: | Digital | 2.4 GHz |
Audio-Technica ATW-1101/G: | Digital | 2.4 GHz |
Audio-Technica ATW-1301: | Digital | 2.4 GHz |
Sennheiser XSW-D Instrument Base Set: | Digital | 2.4 GHz |
Sennheiser EW D1-Ci1: | Digital | 2.4 GHz |
Shure QLXD14 – G50 Band: | Digital | 470-534 MHz |
Shure QLXD14 – H50 Band: | Digital | 534-597 MHz |
Shure PGXD14: | Digital | 900 MHz |
Shure PGXD14/B98H: | Digital | 902-928 MHz |
Here’s A List Of Every Single Digital Wireless Microphone System
Xvive Audio U3: | Digital | 2.4 GHz |
Behringer ULM302MIC: | Digital | 2.4 GHz |
Shure GLXD24R/SM58: | Digital | 2.4 GHz |
Audio-Technica ATW-1322: | Digital | 2.4 GHz |
Shure GLXD24/B87A: | Digital | 2.4 GHz |
Shure GLXD24R/B87A: | Digital | 2.4 GHz |
Shure GLXD24/SM58: | Digital | 2.4 GHz |
Audio-Technica ATW-1312/L: | Digital | 2.4 GHz |
Shure GLXD24R/B58: | Digital | 2.4 GHz |
Shure GLXD24/B58: | Digital | 2.4 GHz |
Audio-Technica ATW-1102: | Digital | 2.4 GHz |
Sennheiser EW D1-835-S: | Digital | 2.4 GHz |
Audio-Technica ATW-1312 Combo: | Digital | 2.4 GHz |
Behringer ULM300MIC: | Digital | 2.4 GHz |
Shure GLXD124R/85 Combo: | Digital | 2.4 GHz |
Sennheiser EW D1-845S: | Digital | 2.4 GHz |
Line 6 XD-V75: | Digital | 2.4 GHz |
Shure GLXD24R/SM86: | Digital | 2.4 GHz |
Sennheiser XSW-D Vocal Set: | Digital | 2.4 GHz |
Behringer ULM300USB Wireless USB: | Digital | 2.4 GHz |
Line 6 XD-V55: | Digital | 2.4 GHz |
Samson Go Mic Mobile: | Digital | 2.4 GHz |
Line 6 XD-V35: | Digital | 2.4 GHz |
Sennheiser XSW-D XLR Base Set: | Digital | 2.4 GHz |
Sony DWZ-M70: | Digital | 2.4 GHz |
Rode RodeLink Performer Kit: | Digital | 2.4 GHz |
Audio-Technica ATW-1302: | Digital | 2.4 GHz |
Sennheiser XSW-D Presentation Base Set: | Digital | 2.4 GHz |
Shure QLXD124/85 Combo: | Digital | 572-608 MHz, 614-616 MHz |
Shure QLXD24/B58: | Digital | 572-608 MHz, 614-616 MHz |
Shure QLXD24/B87A: | Digital | 572-608 MHz, 614-616 MHz |
Shure QLXD24/SM58: | Digital | 572-608 MHz, 614-616 MHz |
Sennheiser AVX-Combo SET: | Digital | 1.9 GHz |
Sennheiser AVX-835 SET: | Digital | 1.9 GHz |
Sennheiser Speechline SL: | Digital | 1.9 GHz |
Shure QLXD24/B87A: | Digital | 174-216 MHz |
Shure QLXD24/SM58: | Digital | 174-216 MHz |
Shure QLXD24/B58: | Digital | 174-216 MHz |
Shure QLXD24/B87A: | Digital | 470-534 MHz |
Shure QLXD24/SM58: | Digital | 470-534 MHz |
Shure QLXD24/B58: | Digital | 470-534 MHz |
Shure PGXD24/SM58: | Digital | 900 MHz |
Shure PGXD24/BETA58A: | Digital | 900 MHz |
Shure PGXD24/PG58: | Digital | 900 MHz |
Shure QLXD24/SM58 – H50 Band: | Digital | 534-597 MHz |
Shure QLXD24/B58 – H50 Band: | Digital | 534-597 MHz |
Sennheiser ew 500 G4-KK205: | Digital | 470 MHz-558 MHz |
Audio-Technica ATW-1366: | Digital | 2.4GHz |
Sennheiser ew 500 G4-KK205 – GW1 Band: | Digital | 556 MHz-608 MHz |
Audio-Technica ATW-3212/C710: | Digital | 530-590 MHz |
Shure PGXD24/SM86: | Digital | 902-928 MHz |
Audix AP41 OM2 – B Band: | Digital | 554-586 MHz |
Audix AP41 OM2 – A Band: | Digital | 522-554 MHz |
Reasons Why VHF and UHF Wireless Systems Have An Uncertain Future.
The FCC has a history of banning wireless microphone and instrument systems that operate in specific frequency bands.
In 2010, all wireless systems operating in the 698 – 806 MHz frequency were completely banned making room for public safety services and broadband.
In 2017, all wireless systems operating in the frequency bands of 617-652 MHz and 663-698 MHz were banned. Each system operating in those frequencies have 39 months to transition to another unit. The last day anyone can use a wireless system running in the 617-652 MHz, and 663-698 MHz band is July 13, 2020.
Funny enough, one of the bands I play in, “Madame Vega“, uses a wireless microphone that operates in the banned frequency where we have till July 2020 to switch. To find out what frequency your wireless system operates in, check the back of the receiver. (example pick below)
Check the back to see your
frequency band. (next to FREQ)Banned Frequency Band
Wireless Mic System
To Sum It All Up | Which Frequency Band Is Best
The all-around best frequency band for your wireless mic or instrument system is 2.4GHz since it’s globally available, globally unlicensed, and has the highest chance for a sustainable future. There is no better or worse frequency band for signal interference as all bands are crowded. When getting a wireless system, make sure it has frequency dodge/flexibility/agile features that will decrease the chance of interference.
The ultimate combination for the best all-around wireless instrument/microphone system is a Digital 2.4GHz system with special features to maintain a strong signal. Below are a few articles based on the top wireless instrument systems.
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